Episode 117

The best USB microphone for podcasters in 2024?

Published on: 14th November, 2024

Oh my, do I have a lovely microphone to show you today! 

The sE Neom microphone presents an intriguing option for podcasters seeking USB-only solutions. 

With its distinct design, on-brand red meshing, gunmetal colouring and unique features, the sE Neom aims to carve out a niche in a crowded USB microphone market. 

I have been testing this microphone now for about 6 months in a variety of locations and use cases. As a podcaster myself and a producer of over 50 podcasts, I’m always looking for microphones to recommend to my community.

So I decided to put this one to the test. 

Thanks to Chris from Sound-Music for sending me this microphone! They’re a great bunch of humans based out of Melbourne who distribute the best gear to audio/production stores around Australia.

00:00 Introduction to SE Neom Microphone

00:31 Microphone Features and Controls

01:59 Sound Quality and Pop Filter Issues

04:08 Microphone Performance in Different Settings

06:13 Proximity Effect and Singing Test

09:14 Final Thoughts and Recommendations

11:23 Conclusion and Upcoming Comparisons



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GEAR WE USE HERE AT BAMBY MEDIA:

sE Neom


SE Dyncaster DCM8


Rode Boom Arm

XLR Cables

Sony ZV E10

Elgato Camlink

Aputure Amaran 200d LED Video Light

Aputure Light Box Min


Pre-Amp/Mixers we recommend

Focusrite Clarett+

Rode Streamer X

Rodecaster Pro II

Rodecaster Pro Duo


Transcript
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Today, I'm testing out a

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microphone called the SE Neom.

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It is a USB only microphone brought

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to you by SE that I thought I'd give a

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little bit of a run because they don't

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really have any other USB products.

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And I wanted to see whether they brought

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something to the podcasting space that

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felt like a good fit for podcasters.

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And so here it is.

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Is at the back of this microphone,

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we have the headphone jacks.

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You can plug your

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headphone straight into it.

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And then on the front of the microphone

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is where all the other action is.

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You've got a mute button, a

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dedicated mute button, which

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actually is really good.

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And then you've also got

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three other controls here, which

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most USB, in fact, I would probably

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argue all other USB microphones

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don't have, they don't have knobs

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for all these specific things.

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So below the mute button, you have a

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mic gain button, and this is controlling

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how loud you can turn up the microphone

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level, like how strong the signal is.

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Most USB microphones don't have that

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control, on the microphone itself.

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You can go into the

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settings of your computer.

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And of your sound settings and

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control the microphone level from

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there, but you can't do it on mic.

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And so this is really good.

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I really like that.

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It has that as a feature.

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Next one down is the

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actual mic high level.

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Level control.

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And that's for your headphones.

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So how much of the microphone

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and yourself do you want

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to hear in your headphones?

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And then the next one down

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is the playback level.

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So if you've got music coming in at the

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same time, like in your headphones, how

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much of that do you want to hear versus

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how much of yourself do you want to hear?

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There is knobs for each of those

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things, which again, is something

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that I, for any other USB microphone

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that I have tried, they don't

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have that kind of customization.

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This microphone.

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Is the only one that does that.

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Let's actually get into how

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this microphone sounds because

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that's the most important thing

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the knobs are certainly nice.

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You know, it's nice to have some of

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those I like the you know feedback

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on that But as far as how it actually

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sounds let's just have a little

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listen to it So that you can decide

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for yourself whether you like it.

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As you're listening to it.

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Now, what do you hear?

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What do you hear in my voice?

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Do you hear nice things or

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do you hear not nice things?

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Is there anything that

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is missing for you?

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Now the first thing that I would

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say about this microphone straight

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off the bat, if this is for

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podcasters, is you need a pop filter.

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You cannot use this microphone

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without a pop filter.

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Did you hear me pop then?

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Pop.

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There is a very significant issue

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with this mic and so unfortunately

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that sucks a little bit because this

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microphone looks really cool and now

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I have to cover it with a Pop filter.

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I'm just using the pop filter that

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came with my other SE product,

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which is the SE DCM8, which

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is the microphone I use a lot.

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Okay.

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This is my favorite

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microphone at the moment.

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I've done a bunch of reviews and I've

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battled it against other microphones,

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like the Shure SM7B, which is, you

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know, the one that everyone uses.

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So we're just going to use this.

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Okay, we're going to put it on top

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doesn't look very good anymore.

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And now you can't see my mouth So

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now when I do my pops pop pop pops,

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it doesn't have anywhere near the

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popping sound, which is good So you

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definitely need a pop filter For

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this microphone, for it to work,

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the microphone has a polar pattern.

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That only has the sound being

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picked up from the front and around.

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If I'm over here, you can

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hear it, but not as much.

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If I'm over here, you can

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hear it, but not as much.

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If I'm over here, you

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can hear it really well.

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If I turned it around, then

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this is not picking up that it's

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picking up from here at the back.

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So definitely don't face it

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this way because that's not

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the way it should be facing.

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Okay, and so then now it

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sounds much nicer, doesn't it?

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Because it's in the right location.

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So this microphone is a condenser

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microphone, which means it's going

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to be suited best for spaces that

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are more controlled, environments

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that are more controlled.

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This environment that I'm in right now

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is not a controlled acoustic space.

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And I do that on purpose just because.

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For mostly what I'm reviewing here on

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this channel is stuff that podcasters use

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and they're mostly at home podcasters,

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so they don't have treated spaces,

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they don't have acoustic paneling,

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they don't have that sort of stuff.

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And so it's best for me to try and

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emulate that when I'm doing this

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sort of thing, so that I'm not

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giving you a false sense of what your

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microphone is going to sound like.

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This is a very small room, this is

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like two, three meters by two meters.

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Two and a half or something,

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maybe three by three.

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I haven't mapped it out, but

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it's quite a small space.

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I've got lots of hard furnishing

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things in the background there.

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Lots of Lego bookshelves.

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I've got a hard desk.

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I've got concrete floor.

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You know, it's not a space that

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I would recommend for podcasting

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and certainly not for podcasting.

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Music making for vocals, but it

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is what most podcasters have.

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They have something like this.

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I've got a little rug on the

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floor, but that's pretty much it.

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So there's lots of things

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for this to bounce off.

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For those interested, it has a

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frequency range of around 20 Hertz

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all the way up to 20 kilohertz, and it

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supports sample rates starting at 44.

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1 all the way up to 192

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kilohertz, which is really good.

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So that's the normal things you

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kind of look for in a microphone.

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Yes, it's USB.

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Does it have some controls?

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How does it look?

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How does it feel?

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Do you need a pop filter?

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That's all the stuff you kind of

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need to tick, tick, tick, tick,

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tick, tick off to begin with.

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The next thing I'll say as well with this

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particular USB mic is that you need to

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plug it into the back of your computer.

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Or like your laptop, not with a USB hub.

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It doesn't seem to work, uh,

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with it being plugged into a hub.

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And I've got a Satoshi hub, which I've

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had for ages, and it works with all

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my other USB microphones pretty much,

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but it doesn't work with this one.

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For it to work for me, I had to plug

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it into the actual computer itself.

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Now, if we get onto a few little trials

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here, I mean, obviously you can hear

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the way it sounds when I'm talking.

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Uh, if I get closer to the microphone,

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this is the kind of proximity effect.

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I'm talking quietly.

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This is kind of the ASMR vibes as I

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get further away, sort of at a position

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where I potentially would be talking

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in a podcasting setting, then that's

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kind of what it sounds like here.

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So it's about, Oh, no, 10

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centimeters maybe away.

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And then if I go back, Hello, this is me.

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There is no way I would ever do this

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or recommend that everyone anyone

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ever does this because it's way

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too far away It sounds like trash.

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I would recommend you never ever do that.

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Now if we were going to sing into this

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microphone again, this is going to

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be a little bit of a struggle because

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This is a condenser microphone and

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it does seem to have a little bit

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of a trouble with the Volume, it's

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not great with that, but i'm just

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gonna sing some so you can hear it.

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So if i'm nice and close, all

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right At last, my love has come

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along, my lonely days are over.

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Sounds quite nice, doesn't it?

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Now, if I wanted to give it more

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juice, more volume, I'd have to be

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further away from the microphone,

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which means you're going to hear more

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reflections, and in a space like this

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I don't think that's

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going to work, ready?

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Life is like a song, oh yeah,

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yeah, yeah, yeah, yeah, at last.

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The skies above are blue.

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My heart was wrapped in clover.

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The night I looked at you.

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Okay.

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So you can hear there that it peaks.

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Hopefully you can hear

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that it peaks quite a lot.

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Even if I'm all the way back

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there, it's not handling very well.

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So you would need to

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have this through a DAW.

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and having compression on at

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the time of recording for that

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to not peak all over the place.

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And so that's not ideal.

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If I turn the mic level

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down, now it's pretty soft.

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So now I have to get like really close.

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And then I go back to try

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and get it to not peak.

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Life is like a song, yeah, at least.

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The sky's above a oomph of blue,

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my heart was wrapped in clover.

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Okay, so I have to do a lot of

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like mic technique with this

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microphone to make that work.

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I'm just going to turn it back up.

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That's not ideal.

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This is not a microphone that

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I would recommend you use.

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for vocals, because it just

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doesn't, doesn't function very

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well with the dynamic level.

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And if all you're doing is using it,

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well, if you're singing, then there's

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so many other microphones that I would

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recommend for vocals other than this one.

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Now, if you're just recording a podcast

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and you're a solo person in your house,

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then this microphone's pretty good.

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You can talk really quite softly.

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It will pick it up very nicely.

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It's not bad.

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The only thing I would say.

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Is that, with this microphone, because

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it has to have a big ol pop filter on

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it, if you're hoping to have it be the

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microphone that you use for YouTube,

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I don't think you should do that.

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Sorry, it's so big, it takes up so

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much room, and although it sounds

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nice, it doesn't look very nice.

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It looks better, like this.

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That looks better.

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That looks actually kind of cool.

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But you can't use it like this, because

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it's going to pop all over the place.

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Even if I go off axis.

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Hello, I'm off axis,

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popping, popping, popping.

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It's still popping, popping, it

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doesn't really matter where I am, okay?

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So, it does pain me.

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To say that for video, you wouldn't

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use this microphone for audio only.

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This is a fantastic microphone.

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This is a lovely piece of kit

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for an audio only professional.

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It wants to be able to do nothing to

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the sound after you've recorded it.

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No EQ, no nothing.

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This can handle that like

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it sounds really nice,

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especially for a female vocal.

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This is really quite special.

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But I want you to be really close

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to the microphone to get the best

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out of it because it is a condenser

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microphone It needs to be close if

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your room is not something that you

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can control too much talk softly into

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it, close to it as an audio person.

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Video person, you got to

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get a different microphone.

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This is not going to be

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great for that setting.

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Vocalists, also not a great microphone

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for vocalists, in my opinion.

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That's my wrap up of this

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microphone, the SE Neom.

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Leave me a comment.

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What do you think?

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I'm going to do a battle with

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this microphone between some of

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our other USB microphones, and we

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will see who wins there as well.

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Stay tuned.

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Bye.

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Pump Up Your Pod
Every entrepreneur by now has probably been told that having a podcast is great for business. But why is it so good? How do you actually grow your show and reach your target audience? There are a lot of questions and I'm here to answer them.I’ll be sharing tips, providing training, answering your questions down to the nitty-gritty stuff and generally supporting you to help you pump up your podcast and have fun doing it. When you do it right, your business, your personal brand and your reach is only ever going to expand. What’s not to love about that?
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Brianna Ansaldo

Brianna is the Head Honcho of Bamby Media and founder of this whole jazzy business of fun times. She is an award-winning songwriter, audio producer, musician and all-round doofus. With a Bachelor’s Degree in Audio Production from the Queensland Conservatorium of Music, Brianna loves the techy side above all else.

Equal parts silly and brutally honest, she’s a force to be reckoned with. If something isn’t working, she will tell you straight up. No messing around. Deliver on your promises and provide quality above all else.