Episode 110

Rode Wireless Pro Review + Location Recording Tests

Published on: 5th September, 2024

Recording on location used to be such a huge pain in my ass.

I’d have this big carry case with my trust Zoom H5, Rode lapel microphones and clips, wind socks, XLR adapters for the lapels so that they’d connect to the Zoom and then a huge amount of leads to make sure all my bases were covered.


And then a few brands started bringing out wireless microphone options that could connect to your phone. 


Some of them were okay, but most of them weren’t good enough for me to switch from my bulky setup. I was capturing much better sound doing it my way. 


As the technology improved, so too did the wireless microphone options that were brought to the market.


Again, I was still dubious, but I decided to bite the bullet and put the Rode Wireless Pro to the test. I’d looked at some reviews on YouTube, reviewed the sound quality and inclusions and decided it may be a viable option for myself and our clients.


For the tests that I conducted, I was focusing on how the Rode Wireless Pro system handled a diverse array of recording environments. I tested in a quiet hotel room, at the beach, on a train, in the park and using the included lapel (wired) setup vs the completely wireless option.


I’ve been using the system now for almost three months, and I’m ready to give you my recommendations.



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GEAR WE USE HERE AT BAMBY MEDIA:

Rode Wireless Pro


SE Dyncaster DCM8


Rode Boom Arm

XLR Cables

Sony ZV E10

Elgato Camlink

Aputure Amaran 200d LED Video Light

Aputure Light Box Min


Pre-Amp/Mixers we recommend

Focusrite Clarett+

Rode Streamer X

Rodecaster Pro II

Rodecaster Pro Duo

Transcript
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I'm showing you around the Rode

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Wireless Pro system here today.

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So I did a YouTube video, which is a

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full review and kind of walkthrough

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of the system, but I'm giving you

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an audio version of it today here.

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If possible, I'd love for you to

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have headphones on so that you

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can really listen to what the

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differences are for this system.

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Now, the Rode Wireless Pro is essentially

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just wireless microphones that make it

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really easy for you to record on the go.

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You can put them in your bag.

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they come in these really

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cute, small little carry cases.

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There's magnetic clips.

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There's a bunch of ways you can

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attach them to phones and DSLRs, but

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I wanted you to have a listen to how

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it handles kind of loud environments.

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I would expect that you would be

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in a bunch of loud environments.

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I would still want you to control

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your sound as much as possible.

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But, uh, what we're looking at

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here is how it handles places like.

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You know, I went to a park,

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I went to the Sydney Botanic

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Gardens and I walked around there

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and I was trying it out there.

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I was on a train, I went to the

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beach, I was in my home studio.

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So there's a little bit of what that

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sounds like in my actual home studio.

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And I also was in a hotel room.

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And when I was in the hotel

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room, I used the lapel system.

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So the Rode Wireless Pro, and

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you've probably seen it on, you

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know, TikTok videos and things.

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You can just like, it's like a

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clip that you can just clip to your

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clothes or magnet onto your clothes.

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But there's also with the, uh,

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The road wireless pro a lapel.

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So like a wired lapel that you screw

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into the microphone on the actual road

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wireless pro you screw in, and then you

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can chase it up as a wire and make it

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a lot more discreet so that if you're

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filming with someone, you know, a lot

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of the time you don't want to see this

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big box, like the road wireless pro

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kind of box microphone that it sits in.

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I think it just doesn't look great on

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camera, and so if you're wanting to

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make it more discreet, then the lapel

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is the way you're going to want to do

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that, which is a tiny little microphone

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clip that chases through on a wire

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and you can attach it to your clothes.

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I will have some other episodes

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that I bring out that I show you

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how it sounds when you set it up

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properly just for an interview.

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Using different setups.

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So that's going to be a really good one.

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I know a lot of you do a lot

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of interviews and if you're

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in person, it's even better.

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And sometimes you don't want

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to bring a bunch of gear.

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Sometimes you would just love

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to be able to have a really

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small, compact microphones.

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Caveat on that.

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It's never going to sound as

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good as if you have a microphone.

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Handheld microphones that you're actually

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physically holding or on a stand.

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And they're really close to your mouth.

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Like mine is here, but there are

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ways that you can still get the

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best quality sound of it out of it.

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So not really what we're

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going to go through today.

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I just want you to listen to how it

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sounds in different environments So, I'm

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going to introduce every time a scene

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change happens, like a location change.

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If you want to watch the video

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instead so you can see the

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connections and how it all looks and

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everything, then certainly go over

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to YouTube and look at that video.

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But for now, let's just get into

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the different ways this can be used.

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The first one is going to be when

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I'm in the hotel and I am using the

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lapel system, so the wired system.

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You'll hear what that sounds

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like when it's coming through

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as a wired lapel situation.

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Before we get to that, I will direct

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you through a little bit of what comes

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in the box so that you understand

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kind of how much there is in there.

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It's just a quick little

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overview of that, and then we

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will move through from there.

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So let's get straight into it right now.

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What's included in the actual box,

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which in this case is two little boxes

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for the Rode Wireless Pro system.

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So they come in these carry cases,

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which are very high quality.

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Let me just say that I've taken this

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on planes, I've chucked it in the

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bottom of my bag, and I haven't felt

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like I've needed to be really careful

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with them because they're such sturdy

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little cases that they come in.

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This one here has a receiver

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and two transmitters.

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So the receiver is the thing that

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you would put onto the front of your

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camera, attach it to your phone,

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wherever you're wanting to put it.

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And that actually receives the microphone

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input from the two transmitters.

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In the other case, you can see

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we've got all the lapel wires.

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So lapels can actually be

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attached to those transmitters.

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Which will give you a different sound

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and allow it to be a little bit more

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discreet,., it gives you a few different

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connection types via the leads.

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You've got one that can be attached to an

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older phone, like an iPhone 14 or below.

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And then you've got the

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USB C options as well.

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There, you also have magnetic

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attachments that make it easy for

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it to magnet onto the back of a

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like iPhone that has a magnet.

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You've got wind socks that can be

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attached to the devices as well,

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especially for when you're outdoors

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and you're wanting to minimize that

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kind of wind sound that you hear.

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And overall a minimal amount

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of packaging, which to

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me is a very big feature.

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Now we're going to switch over to the

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actual Rode Wireless Pro system sound.

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This is in the hotel room

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using a wired lapel system.

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So the little lapel wired microphone

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screws into the Rode Wireless Pro

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microphone that attaches to you and

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then you will hear what it sounds like.

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So it starts off sitting on the desk

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in front of me and then I move it

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closer around my body so that you can

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hear how it sounds as it starts to be

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positioned in the correct location.

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a bit far away.

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I've got the lapel sitting here on

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the table now, and now we're going

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to connect this through to my self.

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You want to put it to the

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side as much as you can.

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Don't put it directly underneath you if

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it's a lapel, just because that's not

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naturally where your voice sort of falls.

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The other thing to remember with lapels

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as well, is because I've got long hair,

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if you've got a lapel and then that's

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over this, All the movement of your

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hair is going to get picked up on this

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lapel, any little movement that you have.

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So if you've got someone you're

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working with which does have long

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hair, you need to move the hair

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and make sure that it stays away.

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So now we're going to position

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this again, and we're going to

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move it around to the place that's

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going to be much better suited.

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And then you can hear hopefully

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the differences between the

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wrong side and the right side.

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Okay, so now this is positioned

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in the correct place.

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It's facing the right way as far as

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where your mouth, like closest point

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to where your mouth, I guess, is.

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If you have to attach it to something,

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you definitely don't want to attach

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it low, like on a button up or

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something, and put it too low, because

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again, it's just too far away from

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the actual source, which is the

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mouth, to actually hear properly.

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So this is probably the best.

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Of what I would say is kind of a bad

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situation as far as lapels go because

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they're never perfect Because they

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have to be positioned like here You

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can't get the best quality sound from

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it, but this is the best way to do it

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Now I took the Rode

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Wireless Pro lapel off.

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Of the microphone.

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So there's no wire now.

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It's just the actual system itself

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and the inbuilt microphone in it.

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Uh, and I've attached that

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to my clothing instead.

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So exactly the same location as

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it was as a lapel, uh, so that

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you can hear if there's any

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differences between those two.

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And then you have this attached, but

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you can see how it's, it's a lot here.

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You can't really hide this at all.

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It's just this big thing.

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And it also kind of dangles.

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It kind of flips forward a bit, unless

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you've got something on that has a lot

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of pull to it, like a lot of tension.

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You're going to have that situation

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where it kind of flops, which means

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it might not even get the best quality

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sound because it is flopping forward.

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So just be aware of where

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you're attaching this to if

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you want to just run with this.

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Can you hear the differences between

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that, the lapel and then no lapel?

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Uh, maybe just sort of scrub

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back a little bit so that you

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can hear between the two there.

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But I certainly think that because of

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how the actual like clip box without

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the lapel has to be positioned, like

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where it has to be positioned for

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it to work, Uh, I just don't think

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it sounds as good as the lapel does.

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Cause the lapel can get a

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slightly higher, slightly closer.

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And again, it doesn't obscure as much.

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So to me, in my mind, if I'm in a

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location where, you know, there's

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minimal noise, then the lapel

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certainly has worked better there.

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now we're going to move into

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the park and see what you

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think of it in that location.

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Now we're in the Botanic Gardens,

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and there is not much noise, so you

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should be able to hear me really well.

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And there's a massive

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tree in the background.

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Okay.

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Next up is the beach.

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This time you're going to hear a

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lot of beautiful beach wave sounds.

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I want you to be a little bit

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discerning here as far as how

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well you can still hear me though.

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So in comparison to the beach, to the

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waves, how well are you hearing me?

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Is it something that you'd be like,

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Oh God, I can't hear her at all.

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Or is it like, look, I hear

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the waves, but it's nice.

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It's a bit of context.

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I can understand still

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everything she's talking about.

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The other thing that I did in this

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location is I just walked backwards

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for a really long time, just to

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see whether the road wireless

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system dropped out at some point.

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And I didn't even get far enough

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for the system to even drop out.

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It just kept working,

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which was really cool.

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You can see how far away I am in the

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YouTube video, which I'll put a link

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into, but this just gives you a bit

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of a sense as to, look, you can be

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super far away if you wanted to be,

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and the microphone will still work.

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Now we're going to do a test, where

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I go back as far as I can, and

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we're going to see how it performs.

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And I'm going to keep talking.

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So, this is me, I'm in

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the little bar right now.

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Winter in the Australia I've been

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having some good times with the family.

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I'm gonna just keep talking.

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Seems to be pretty good.

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In Australia we have beautiful beaches.

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East coast of Australia.

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It's a really nice climate, I enjoy it.

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It's funny walking backwards with people.

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So now I'm like, I don't

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know, 50, 100 metres?

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This time you're going

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to hear me on a train.

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You're going to hear some

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people in the background.

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It was actually louder than I

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expected, like the train was louder.

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It wasn't so loud when I was on it

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myself, but I think the low rumbling

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of the train is something that is

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quite a low, like that frequency

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really, you can hear it quite well.

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So yeah.

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That's how it sounds on a train.

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Check it out.

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Okay, now we're testing out this

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microphone with, on a train.

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It is floppy.

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I'm listening to how much

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the train you can hear versus

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how much of me you can hear.

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The train isn't particularly noisy.

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Yeah, someone talking in

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the background is good.

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Oh my god,

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Okay, what did you think of

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all those different setups of

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all those different sounds?

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I felt like obviously the beach

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was a little bit overwhelming

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because the beach is so loud.

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The waves are so loud and I actually

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think it handled that quite well.

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And the distance that you could

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get from the actual beach.

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Device itself was just crazy to me.

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Like you could crystal

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clear, it did not drop out.

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It was amazing how far away you

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would, you could be in saying that,

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how far away do you actually need to

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be unless you've got a massive zoom

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lens on your DSLR, how often you're

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going to need to be that far away and

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for it to still work, maybe if you're

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jumping out of a plane or something, I

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don't know, but you know, it's pretty

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cool that it could last that long.

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I really liked that.

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I liked using it as a lapel,

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proper lapel where you actually

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use the little microphone.

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Uh, attach it to you and

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then go through that way.

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I don't love just holding it here.

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As I said, I just feel like

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that looks a little bit dicky.

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You can get an interview.

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It's like a holder, which

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I'll flash up on the screen

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so that you can have a look.

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This just attaches in there and then

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you look like you're a presenter.

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That makes more sense to me

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than holding it like this.

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And as I said, I'm going to do another

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video on all the different places that

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you could potentially hide it on your

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body so that people don't even realize

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that you've got one attached to you.

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My wrap up of this device is, look,

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I actually think it's really good.

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It serves great purposes here.

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It sounds really good.

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It's a little bit muddy.

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It's never as good as

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having something right here.

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Like right now, I have a microphone

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right in front of my face.

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It's always going to sound

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better in that situation.

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But it does have a good

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amount of depth to it.

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It's really good for on

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the go content creation.

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It comes in such a small little like

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package, you know, you can just shove

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it in your bag and it doesn't take up

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a lot of room and it's super secure.

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I'm a big fan of this.

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The more I used it.

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I just felt like this is fantastic.

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I've since used it for tutorials

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that I've shot for clients.

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I went down to Sydney and a

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different point to shoot a whole

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day full of content for a client.

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And I recorded everything using

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this device as the tutorials,

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because you want to be able to

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use your arms and your legs.

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And you know, you need to move

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around and you can't always

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have a microphone right here.

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So something that serves the purpose

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of being wireless is perfect.

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Fantastic.

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The audio quality is very good.

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It's easy to configure.

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I will do a separate video on how to

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configure it though, because there

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are a few things that you need to

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make sure that you change in order

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to get the best quality out of it.

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I like that you don't have to have

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it attached to anything so that you

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can just hit record on this device

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and it just captures it in there.

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There's all sorts of applications that I

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can see this being extremely useful for.

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And when I've listened to this one

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versus other wireless microphones in

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the field, this one wins for depth.

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Absolutely.

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For it's sounding stronger, less

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tinny, there's more dynamic range.

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There's more sparkle.

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It's a better system to

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my ears than any other.

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that I have heard or used

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myself at this point.

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So I would recommend this

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to anyone that is a content

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creator looking to move around.

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If you're a travel blogger, if you're

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someone that wants to shoot tutorials,

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maybe you do yoga instructing any

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sort of things where you feel like

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you want to be heard more clearly.

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This is a great system to use.

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I don't recommend it.

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it just clipping on it does fall forward

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like it doesn't really sit where you

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want it i like the lapel situation

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better where there's a wire but in saying

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that the wire is harder to navigate

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so that's something that you can do.

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Decide for yourself how you

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want to actually record and how

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you want it to be displayed.

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But it's a good system.

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And I only say things are good

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if I really believe that they are

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like, it's got to be something

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that I've tried and tested.

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And I've now used this for probably

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two and a half to three months

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before shooting a review of this.

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So if you're interested in

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this, I've got a link to this

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system available on Amazon.

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We are an affiliate of Amazon.

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So if you click on that link and you buy

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this or something else, we do get a teeny

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tiny little affiliate income for that,

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which is just always nice to receive.

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And it is, I guess, a way of you thanking

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me for producing this content for you.

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So I hope you got value out of it.

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Let me know what you think.

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Would you actually use this system?

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Do you have the system?

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Do you have a system that you think is.

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Better for a wireless recording.

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And in a later video, I'm going to break

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down and show you really easily how to

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set this up for podcasters, specifically

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for recording with a host and a guest

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and interview type situation, and how to

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configure that, how far to sit away from

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each other to make sure that you get the

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best quality audio from that as well.

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About your host

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Brianna Ansaldo

Brianna is the Head Honcho of Bamby Media and founder of this whole jazzy business of fun times. She is an award-winning songwriter, audio producer, musician and all-round doofus. With a Bachelor’s Degree in Audio Production from the Queensland Conservatorium of Music, Brianna loves the techy side above all else.

Equal parts silly and brutally honest, she’s a force to be reckoned with. If something isn’t working, she will tell you straight up. No messing around. Deliver on your promises and provide quality above all else.